Possession dissolves in the chiaroscuro stratosphere. For GEMINI REDUX (Beeny’s Prayer), two large objects made by Zeiner of coloured fibreglass, carbon and kevlar fibre, epoxy resin, will reprise the role of ‘Beeny’ that Cheng cast them in for GEMINI EXIT (Beeny’s Retirement) (2019). Originally focused on agency without authorship, that situation for camera was developed in the Oude Kerk in the context of the Come Closer programme (cur. Radna Rumping), in relation to the commissioned mellotron by Janet Cardiff/George Bures Miller. GEMINI REDUX reunites Cheng and Zeiner outside of consecrated space, again staged in a pose of subjective distance.